Choosing the Future

This year’s ritual is Choosing the Future, in which we invoked Hekate through the words of revolutionary thinkers and poets to empower ourselves and our communities to act in our mutual aid and defense.

If you attended an iteration of this year’s ritual, please consider filling out our participation survey on the far side of this elegant and finely-crafted link.

I (Jeffrey) made the above image, which also appeared on the covers of this year’s souvenir zines, based on PGM IV 2785-2890 “Prayer to Selene With Any Spell”, which we adapted for several parts of the ritual. The final passage of the spell (which is dope as shit but also super long) suggests a protective charm to wear/empower during the rite:

Take a lodestone and on it have carved a three-faced Hekate. And let the middle face be that of a maiden wearing horns, and the left face that of a dog, and the one on the right that of a goat.

RITUAL HOMEWORK/ZINES

As a part of the ritual, we gave out zines with further rituals for participants to do at home, doubling down on the work. They’re short and sweet, and can easily be adapted to your own Hekatean workings.

Charlie made the zines. You should tell him how awesome they are. If you lost yours, or spilled coffee on it, or whatever, you can download and print a new copy from here.

Azostos & Brimo
Phosphoros

BIBLIOGRAPHY

We also quoted (or misquoted for legal reasons) a number of revolutionary thinkers that you can learn about using the bibliography below.

Hooks, B. (1994). Teaching to Transgress: Education as the Practice of Freedom. Routledge.

Hemmings, C. (2018). Considering Emma Goldman: Feminist Political Ambivalence & the Imaginative Archive. Duke University Press.

Goldman, E. (2022). The Essential Emma Goldman. First Warbler Press.

Sullivan, L. (2019). We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan 1961-1991. Nightboat Books

Betz, Hans Dieter, ed. (1986). The Greek Magical Papyri in Translation, Vol. One: Texts. University of Chicago Press.

An Orphic Vigil

The Survey

First things first, if you’re here after attending our ritual at OSS, here’s a link to a brief survey! We’d love to hear your thoughts about the ritual.

The Ritual

Here at the Kansas City Sorcerous Arts Collective, we are big fans of rituals based on dusty old tomes. In that vein, we have been experimenting for the past few years with various rituals inspired by and incorporating the Orphic Hymns, from full overnight vigils with our working group to shorter, more targeted rituals at larger events. So far, we haven’t had a chance to host the full overnight vigil for a larger group, but we believe that shouldn’t stop you from getting frankincense lung on your own time!(1)

Here are some additional ideas, tips, and suggestions that you might find useful if you want to try your own Orphic ritual.

The Text: How familiar are you with the Orphic Hymns?

You may be accustomed to using the Orphic Hymns individually in other magical and ritual contexts, and we’ve used them that way for years! This felt like a natural extension of that work, and a new way to engage with a familiar text. 

If you haven’t spent time with the hymns, giving them a read-through might help you develop a sense of the shared themes and structure. There are multiple translations, and they all have pros and cons. Many people use the Taylor, which is available free online, and others prefer more modern translations. Pick your favorite (ours is Patrick Dunn’s), or mix and match!

Goals: What do you hope to achieve?

Starting with a goal will help inform the rest of your decisions. Many of the Orphic Hymns use language of initiation, or refer to the “initiates.” You might approach your rite with that goal in mind: initiation. We have done full overnight vigils at both the winter and summer solstices as a way to observe those days/nights. 

Shorter, more targeted rituals might focus on healing, protection, or wealth, among other intentions. Last fall at Pagans in the Park, we held a short harvest-themed ritual, using primarily the various hymns to Dionysus. More recently, at Paganicon, we focused on themes of healing, joy, and renewal, which felt appropriate to springtime.

Participants: Will you complete the work alone, or with a group?

In a solo working, you’ll probably want to keep things simpler: perhaps just you, a copy of the hymns, and your offerings. 

With a group, especially for a full overnight vigil, have enough roles or tasks so that everyone can spend some time actively engaging in the ritual tasks. Think about your group and their skills and interests. Do you have singers? Makeup artists? Bakers? How can those talents be turned towards the ritual?

We have used English readers, Greek readers, timekeepers, coffee makers, offering makers, and other roles. The response lines were another way we devised to help keep folks engaged with each hymn. 

This can get as complex as you want!(2) Let yourself be inspired.

Offerings: What will you give? 

Offerings are specified for most of the hymns. Some are easier to find than others, so give yourself some time to source ingredients if you want to follow those suggestions. Depending on your setting, though, you may want to get creative. Consider allergies along with the rules of the space you’re using. We used grapes as offerings for the Dionysus ritual, as the park didn’t allow any smoke.(3) At Paganicon, we experimented with offerings of sound and movement. This is great space for creativity.(4)

Setting: Will you be inside or outside? How will you arrange the space?

For the all-night ritual, especially, consider having a dedicated temple space along with a designated space outside of that area for folks to take breaks, get some fresh air, and refuel. Indoors, a separate room for all your crockpots(5) might do nicely. Outside, a tent or screen shelter with food and drinks, away from the main ritual area, can serve the same function. 

Consider fire safety, ventilation(!!), music, places to sit, room to dance, an altar (or more than one), and lighting (especially for anyone reading). 

Parameters and expectations: How will the logistics work?

For overnight vigils, decide what happens if/when folks fall asleep. You might make an agreement to wake each other up, or decide that dozing in the temple space is OK for those not actively performing a role during that time. (We went with the latter option.)

Decide how to handle those who may need to arrive late or leave early. Maybe the container you’re building for this ritual feels permeable enough that folks can move in and out with no issues. Maybe you’ll want to do the work with a small, dedicated group who will all be there the whole time. (In that case, I’d still suggest making a plan in case the unexpected comes up!)

Make sure to have enough food and beverages! If you haven’t done an all-nighter in a while, you might underestimate the amount of fuel it will take to keep energy up.

For an overnight rite, decide how to handle the pacing. Many of the individual hymns take less than two minutes to read through in English(6), so it takes some planning to stretch them out through the night. We have previously divided the hymns into sections, with each section corresponding to a specific hour. That meant we began at the top of an hour with a set of hymns, worked through them, and then we got a rest or break until the top of the next hour.  You might prefer to space each hymn more evenly throughout the night. 

Final Thoughts

If you’re interested in exploring this concept further, or hosting your own (possibly all-night?) version, I recommend Carey’s write-up discussing our working group’s first go at it, here. 

Keep in mind that little is known about the original structure of this ritual. That can be frustrating, or it can be liberating: the field is wide for improvisation. We encourage you to get creative, and to share your results with us! We can’t wait to hear what esoteric mischief you get up to. 

Footnotes:

1 – Mostly joking, but our first overnight indoor Orphic Vigil inspired various uses of terms like “frankincense lung” and “witch lung”. Seriously, ventilate your space!

2 –  I have a vision in my mind of a version of this rite in which we take turns aspecting the powers we call, to deliver blessings or prophecy. Someday!

3 –  We also find incense a dubious choice for larger gatherings, as many are sensitive to it.

4 – Or a truly frightening amount of frankincense. 

5 –  Our first time doing this, at winter solstice, everyone brought a different soup, and it was AMAZING.

6 –  Although some are significantly longer. I’m looking at you, Aphrodite.

Sorcerous Arts Podcast: Episode Three: How to Get Started

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Welcome to the Sorcerous Arts Podcast!

In this, our third episode, we talk about beginning out magical practices! Speciffically, when to make the move from the comfortable couch in your occult library to the altar room or woodland grove of your choice! We also talk about some of the things that might be holding you back, and even a couple things that should give you pause.

Links to things we mentioned that you might want to follow up on include:

Ursa Major Ritual

Jeffrey’s Recommended Reading Lists

Jeffrey’s Review of the Necronomicon as a Guest Host on the Witches Read – Part 1, Part 2

Books We Specifically Recommended In This Episode:

Christopher Penczak Inner Temple of Witchcraft

Andrieh Vitimus Hands On Chaos Magick

Patrick Dunn Orphic Hymns

Phil Hine’s Condensed Chaos

Rufus Opus’ Seven Spheres

Diana Rajchel Urban Magic

And please come back in two weeks for Episode Four, in which we finally unleash our spleens on the Law of Attraction.

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Our Web Page: kcsorcerousarts.com

Facebook: facebook.com/kcsorcerousarts

Instagram: instagram.com/kcsorcerousarts

Patreon: patreon.com/kcsorcerousarts

.

Lead Photographer: Wormwood Photography

Additional Photography by Patrick Manning, Carey Moore, Audrey Hazzard 

Sound Editing by JS Groves

Intro/outro music: by Kevin MacLeod

Limit 70 by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: http://creativecommons.org/licenses/by/4.0/

Ursa Major Ritual

Sorcerous Arts Podcast: Episode Two: House Wards

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Welcome to the Sorcerous Arts Podcast!

As promised in our last episode, this week we’re talking house wards! Magical techniques to protect your house and home. Discussed techniques include devotional practices, servitors, chaos magick sigils, and so much more.

Links to things we mentioned that you might want to follow up on include:

Lesser Banishing Ritual of the Pentagram

Stele of Jeu the Hieroglyphist

And please come back in two weeks for Episode Three, How To Get Started!

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Our Web Page: kcsorcerousarts.com

Facebook: facebook.com/kcsorcerousarts

Instagram: instagram.com/kcsorcerousarts

Patreon: patreon.com/kcsorcerousarts

.

Lead Photographer: Wormwood Photography

Additional Photography by Patrick Manning, Carey Moore, Audrey Hazzard 

Sound Editing by JS Groves

Intro/outro music: by Kevin MacLeod

Limit 70 by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: http://creativecommons.org/licenses/by/4.0/

Sorcerous Arts Podcast: Episode 1: Magic in This Time of Covid

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Welcome to the Sorcerous Arts Podcast! Join us as we discuss the crossroads of theory, experimentation, and practicality.

For our first full episode, we are returning to a topic that we discussed with the Kansas City Witches Meet-Up: Magic in This Time of Covid. Our original presentation was specifically on protection magic, but in this episode we ranged a bit further. Care to come along?

This is nearly a week late, and we apologize for that. Blame the sound editor who lost most of November to election and covid related depression.

Episode two, still scheduled for release on the 28th, will be our long-promised discussion on household protection magic.

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Our Web Page: kcsorcerousarts.com

Facebook: facebook.com/kcsorcerousarts

Instagram: instagram.com/kcsorcerousarts

Patreon: patreon.com/kcsorcerousarts

.

Lead Photographer: Wormwood Photography

Additional Photography by Patrick Manning, Carey Moore, Audrey Hazzard 

Sound Editing by JS Groves

Intro/outro music: by Kevin MacLeod

Limit 70 by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: http://creativecommons.org/licenses/by/4.0/

Sorcerous Arts Podcast: Episode 0: Introductions

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Welcome to the Sorcerous Arts Podcast! Join us as we discuss the crossroads of theory, experimentation, and practicality.

In this episode, we take some time to introduce ourselves, talk about out backgrounds, and our dreams and aspirations for the podcast.

Meat the team!

Carey, a Hellenic polytheist and mystic witch
Audrey, a tarot reader and planetary witch
Patrick, a sorcerer, poet, and professional Scorpio
Jeffrey, a talismanic jeweler and supernatural fixer

Our Web Page: kcsorcerousarts.com

Facebook: facebook.com/kcsorcerousarts

Instagram: instagram.com/kcsorcerousarts

Patreon (coming soon!): patreon.com/kcsorcerousarts

.

Lead Photographer: Wormwood Photography

Additional Photography by Patrick Manning, Carey Moore, Audrey Hazzard 

Sound Editing by JS Groves

Intro/outro music: by Kevin MacLeod

Limit 70 by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: http://creativecommons.org/licenses/by/4.0/

Sorcerous Arts Podcast Teaser

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Sorcerous Arts Podcast, what’s that?

Tune in this Saturday and we’ll tell you all about it!

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Our Web Page: kcsorcerousarts.com

Facebook: facebook.com/kcsorcerousarts

Instagram: instagram.com/kcsorcerousarts

Patreon (coming soon!): patreon.com/kcsorcerousarts

.

Lead Photographer: Wormwood Photography

Additional Photography by Patrick Manning, Carey Moore, Audrey Hazzard 

Sound Editing by JS Groves

Background music: by Kevin MacLeod

Limit 70 by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: http://creativecommons.org/licenses/by/4.0/